96 bars of 4/4 at 111 BPM, about 3:28 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 9 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 35 times: bars 8, 14, 16, 25, 26, 34 and 29 more.
3 more fills are written out on the fills page.
96 bars across 13 sections: 39 keep time, 35 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 1-6.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
96 bars, about 3:28 at the written tempo. The course breaks it into 31 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 35 times: bars 8, 14, 16, 25, 26, 34 and 29 more.