90 bars of 4/4 at 142 BPM, about 2:31 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-12, 15 and 18, and 7 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 24 times: bars 5, 13, 19, 23, 27, 31 and 18 more.
7 more fills are written out on the fills page.
90 bars across 9 sections: 54 keep time, 24 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 7-12.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 35 out of 100; the rest of the number is everything around it.
90 bars, about 2:31 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 5, 13, 19, 23, 27, 31 and 18 more.