50 bars, 2:56, at 67 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 3, 5-8 and 12, and 5 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 1, 4, 13, 33, 42 and 48.
50 bars across 5 sections: 31 keep time, 6 are fills and 6 are stops. The longest unbroken stretch of time is bars 6-12.
67 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
50 bars, about 2:56 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 1, 4, 13, 33, 42 and 48.