98 bars of 4/4 at 114 BPM, about 3:26 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8, 12-14 and 42, and 4 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 9, 13, 19, 43, 61, 65 and 8 more.
3 more fills are written out on the fills page.
98 bars across 11 sections: 64 keep time, 14 are fills, 5 are stops and 7 are silent. The longest unbroken stretch of time is bars 21-37.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
98 bars, about 3:26 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 9, 13, 19, 43, 61, 65 and 8 more.