86 bars, 4:35, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 9 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 8, 16, 20, 25, 26, 27 and 20 more.
6 more fills are written out on the fills page.
86 bars across 8 sections: 44 keep time, 26 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 64-71.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
86 bars, about 4:35 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 8, 16, 20, 25, 26, 27 and 20 more.