53 bars of 4/4 at a walking 88 BPM, 2:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-11, 29-32 and 34, and 1 more place -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 12, 20, 28, 33, 35, 41 and 5 more.
3 more fills are written out on the fills page.
53 bars across 7 sections: 31 keep time, 11 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 5-11.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
53 bars, about 2:25 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 12, 20, 28, 33, 35, 41 and 5 more.