157 bars of 4/4 at 120 BPM, about 5:13 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-15 and 40-42, and 13 more places -- 28.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 4, 90, 91, 92, 123, 124 and 2 more.
157 bars across 19 sections: 106 keep time, 8 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 138-157.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
157 bars, about 5:13 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 4, 90, 91, 92, 123, 124 and 2 more.