150 bars of 4/4 at 135 BPM, about 4:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 100-102, 104-106 and 108-110, and 5 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 60 times: bars 20, 24, 28, 30, 32, 34 and 54 more.
13 more fills are written out on the fills page.
150 bars across 10 sections: 45 keep time, 60 are fills, 19 are stops and 18 are silent. The longest unbroken stretch of time is bars 116-128.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
150 bars, about 4:23 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 60 times: bars 20, 24, 28, 30, 32, 34 and 54 more.