87 bars at 180 BPM -- fast, and 1:56 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-39 -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 50, 51, 52, 64 and 65.
87 bars across 14 sections: 73 keep time, 5 are fills and 4 are silent. The longest unbroken stretch of time is bars 1-18.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
87 bars, about 1:56 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 50, 51, 52, 64 and 65.