256 bars at 200 BPM -- fast, and 4:35 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 60, 64 and 68, and 16 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 16 times: bars 5, 9, 17, 18, 26, 32 and 10 more.
8 more fills are written out on the fills page.
256 bars across 25 sections: 116 keep time, 16 are fills, 79 are stops and 23 are silent. The longest unbroken stretch of time is bars 92-106.
200 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
256 bars, about 4:35 at the written tempo. The course breaks it into 70 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 5, 9, 17, 18, 26, 32 and 10 more.