176 bars of 4/4 at 123 BPM, about 5:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6-7, 10-13 and 18-21, and 4 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 40 times: bars 4, 8, 14, 15, 16, 22 and 34 more.
8 more fills are written out on the fills page.
176 bars across 16 sections: 114 keep time, 40 are fills and 4 are silent. The longest unbroken stretch of time is bars 112-125.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
176 bars, about 5:43 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 40 times: bars 4, 8, 14, 15, 16, 22 and 34 more.