156 bars of 4/4 at 144 BPM, about 4:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-23, 43-47 and 55, and 3 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 29 times: bars 5, 9, 17, 33, 41, 53 and 23 more.
11 more fills are written out on the fills page.
156 bars across 16 sections: 87 keep time, 34 are fills and 10 are stops. The longest unbroken stretch of time is bars 84-90.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
156 bars, about 4:19 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 29 times: bars 5, 9, 17, 33, 41, 53 and 23 more.