111 bars of 4/4 at 122 BPM, about 3:38 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-12, 29-35 and 55-65, and 2 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 8, 27, 53, 77, 89, 97 and 2 more.
2 more fills are written out on the fills page.
111 bars across 12 sections: 52 keep time, 8 are fills, 37 are stops and 2 are silent. The longest unbroken stretch of time is bars 17-26.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
111 bars, about 3:38 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 8, 27, 53, 77, 89, 97 and 2 more.