47 bars of 4/4 at 120 BPM, about 1:30 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-22 -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 bars across 7 sections: 19 keep time and 22 are silent. The longest unbroken stretch of time is bars 8-11.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 45 out of 100; the rest of the number is everything around it.
47 bars, about 1:30 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.