82 bars of 4/4 at 120 BPM, about 2:44 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 16-23 -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 32, 33, 34, 36, 44, 49 and 1 more.
82 bars across 12 sections: 49 keep time, 7 are fills, 13 are stops and 1 is silent. The longest unbroken stretch of time is bars 15-23.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
82 bars, about 2:44 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 32, 33, 34, 36, 44, 49 and 1 more.