70 bars of 4/4 at 135 BPM, about 2:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55, 57 and 59, and 4 more places -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 3, 5, 7, 9, 11, 13 and 16 more.
6 more fills are written out on the fills page.
70 bars across 8 sections: 32 keep time, 22 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 40-46.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 36 out of 100; the rest of the number is everything around it.
70 bars, about 2:04 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 3, 5, 7, 9, 11, 13 and 16 more.