97 bars of 4/4 at 125 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 82-86, 88 and 91-92 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 2, 3, 4, 5, 6, 7 and 7 more.
3 more fills are written out on the fills page.
97 bars across 10 sections: 68 keep time, 13 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 61-79.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 22 out of 100; the rest of the number is everything around it.
97 bars, about 3:06 at the written tempo. The course breaks it into 44 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 2, 3, 4, 5, 6, 7 and 7 more.