47 bars, 2:41, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 27, 29-30 and 43, and 1 more place -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 25, 38, 40, 41 and 47.
47 bars across 9 sections: 21 keep time, 5 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 12-16.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
47 bars, about 2:41 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 25, 38, 40, 41 and 47.