103 bars of 4/4 at a walking 80 BPM, 5:09 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3, 5-13 and 15-21 -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 16 times: bars 14, 22, 38, 46, 58, 62 and 10 more.
103 bars across 9 sections: 68 keep time, 16 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-13.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
103 bars, about 5:09 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 16 times: bars 14, 22, 38, 46, 58, 62 and 10 more.