125 bars of 4/4 at 132 BPM, about 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 86-93 -- 6.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 37 times: bars 1, 17, 25, 26, 27, 28 and 31 more.
9 more fills are written out on the fills page.
125 bars across 14 sections: 57 keep time, 37 are fills and 9 are stops. The longest unbroken stretch of time is bars 87-97.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
125 bars, about 3:46 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 37 times: bars 1, 17, 25, 26, 27, 28 and 31 more.