ARTISTS

Pierce The Veil drum tabs

54 charts, 72-228 BPM. Each one is read from a real score: play it along to the record, slow it down, or take the practice course under it.

MOST PLAYED

CHARTS
54
TEMPO
72-228 BPM
BARS IN ALL
7,386
WITH A COURSE
53 of 54
USUAL KEY
F# minor
post hardcorerockemoemocore

EVERY PIERCE THE VEIL CHART

LEARNING PIERCE THE VEIL ON DRUMS

54 Pierce The Veil drum parts are transcribed here, 7,386 bars of music in total, filed under post hardcore, rock, emo and emocore. Every one of them is a chart read from a real score rather than a tab somebody typed out: the notes are where the score put them, the tempo is the record’s own, and the page plays the recording underneath while you read.

Nothing here asks you to play it at full speed on the first pass. Take any chart down to half tempo, loop the four bars that will not come clean, and bring it back up. 53 of these 54 songs also have a practice course under them: the part broken into the few things actually different about it, one at a time, ending with you playing the whole song against the record.

A good place to start is "The Jaws of Life" at 72 BPM, the slowest of them, or "12 Fractures (full)" at 44 bars, the shortest. Sheet music, tab, MIDI and MusicXML download from every chart if you would rather read it away from the screen.

QUESTIONS

How many Pierce The Veil drum tabs are there?

54 Pierce The Veil drum charts, each read from a real score and playable along to the record in the browser. 53 of them come with a practice course that breaks the part into exercises and takes each one up to tempo.

Are Pierce The Veil songs hard to play on drums?

Tempos here run from 72 to 228 BPM. The slowest is "The Jaws of Life" at 72 BPM, and the shortest is "12 Fractures (full)" at 44 bars, which makes either a reasonable place to start. Every chart also has a simplified version with the hi-hat pulled back and the fills written as eighths on the snare.

What key are most Pierce The Veil songs in?

Most often F# minor, C# minor and G major. The catalogue files them under post hardcore, rock, emo and emocore.

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