190 bars of 4/4 at 140 BPM, about 5:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-21, 38-43 and 82, and 2 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 8, 9, 10, 11, 44, 78 and 5 more.
2 more fills are written out on the fills page.
190 bars across 13 sections: 81 keep time, 11 are fills, 25 are stops and 66 are silent. The longest unbroken stretch of time is bars 88-103.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 73 out of 100; the rest of the number is everything around it.
190 bars, about 5:26 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 8, 9, 10, 11, 44, 78 and 5 more.