70 bars of 4/4 at a walking 86 BPM, 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34, 36 and 42, and 7 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 12 times: bars 7, 11, 23, 25, 29, 33 and 6 more.
5 more fills are written out on the fills page.
70 bars across 9 sections: 42 keep time, 12 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 12-20.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
70 bars, about 3:15 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 7, 11, 23, 25, 29, 33 and 6 more.