46 bars of 4/4 at 128 BPM, about 1:26 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-7, 10-11 and 21, and 2 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 7, 9, 11, 19, 20, 22 and 9 more.
2 more fills are written out on the fills page.
46 bars across 5 sections: 17 keep time, 15 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 23-28.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
46 bars, about 1:26 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 26 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 7, 9, 11, 19, 20, 22 and 9 more.