285 bars of 4/4 at 137 BPM, about 8:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42, 44 and 46, and 11 more places -- 5.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37 fills to learn, played 121 times: bars 19, 21, 25, 29, 30, 31 and 115 more.
33 more fills are written out on the fills page.
285 bars across 21 sections: 64 keep time, 125 are fills, 24 are stops and 48 are silent. The longest unbroken stretch of time is bars 103-110.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
285 bars, about 8:18 at the written tempo. The course breaks it into 102 exercises over 30 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
37 fills to learn, played 121 times: bars 19, 21, 25, 29, 30, 31 and 115 more.