94 bars, 5:05, at 74 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 19-21, 23 and 25, and 8 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 9 times: bars 26, 34, 42, 58, 62, 66 and 3 more.
5 more fills are written out on the fills page.
94 bars across 12 sections: 65 keep time, 9 are fills and 8 are silent. The longest unbroken stretch of time is bars 8-15.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 31 out of 100; the rest of the number is everything around it.
94 bars, about 5:05 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 9 times: bars 26, 34, 42, 58, 62, 66 and 3 more.