125 bars of 4/4 at 142 BPM, about 3:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-39 and 57-71 -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 4, 6, 8, 15, 16, 20 and 17 more.
5 more fills are written out on the fills page.
125 bars across 13 sections: 82 keep time, 23 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 25-39.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
125 bars, about 3:31 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 4, 6, 8, 15, 16, 20 and 17 more.