81 bars of 4/4 at a walking 82 BPM, 3:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 23 and 25-26, and 7 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 19, 20, 27, 30, 57, 58 and 3 more.
2 more fills are written out on the fills page.
81 bars across 9 sections: 43 keep time, 9 are fills, 6 are stops and 14 are silent. The longest unbroken stretch of time is bars 43-50.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
81 bars, about 3:57 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 19, 20, 27, 30, 57, 58 and 3 more.