120 bars of 4/4 at 127 BPM, about 3:47 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 17-27 and 29-31, and 2 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 21 times: bars 16, 28, 32, 36, 40, 48 and 15 more.
9 more fills are written out on the fills page.
120 bars across 10 sections: 69 keep time, 21 are fills, 9 are stops and 12 are silent. The longest unbroken stretch of time is bars 17-27.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
120 bars, about 3:47 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 21 times: bars 16, 28, 32, 36, 40, 48 and 15 more.