70 bars of 4/4 at a walking 90 BPM, 3:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 9 and 15, and 6 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 2, 4, 10, 13, 14, 21 and 19 more.
9 more fills are written out on the fills page.
70 bars across 7 sections: 35 keep time, 25 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-9.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
70 bars, about 3:07 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 2, 4, 10, 13, 14, 21 and 19 more.