82 bars of 4/4 at 148 BPM, about 2:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 71-73, 75-77 and 79-81 -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 34 times: bars 2, 4, 6, 12, 16, 18 and 28 more.
10 more fills are written out on the fills page.
82 bars across 5 sections: 32 keep time, 34 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 55-65.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
82 bars, about 2:13 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 34 times: bars 2, 4, 6, 12, 16, 18 and 28 more.