176 bars of 4/4 at 138 BPM, about 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-18, 21-23 and 29-31, and 8 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 34 times: bars 8, 16, 19, 20, 28, 32 and 28 more.
12 more fills are written out on the fills page.
176 bars across 25 sections: 68 keep time, 34 are fills, 45 are stops and 14 are silent. The longest unbroken stretch of time is bars 59-69.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
176 bars, about 5:06 at the written tempo. The course breaks it into 62 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 34 times: bars 8, 16, 19, 20, 28, 32 and 28 more.