236 bars, 12:34, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 65-79 and 101-115 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 22, 132, 134, 136, 140, 152 and 15 more.
8 more fills are written out on the fills page.
236 bars across 20 sections: 172 keep time, 21 are fills and 13 are stops. The longest unbroken stretch of time is bars 216-234.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
236 bars, about 12:34 at the written tempo. The course breaks it into 76 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 22, 132, 134, 136, 140, 152 and 15 more.