71 bars of 4/4 at a walking 94 BPM, 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 56-57, 60-61 and 64-65, and 1 more place -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 26, 50, 54, 58 and 66.
71 bars across 10 sections: 52 keep time, 5 are fills and 4 are silent. The longest unbroken stretch of time is bars 19-25.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
71 bars, about 3:05 at the written tempo. The course breaks it into 33 exercises over 14 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 26, 50, 54, 58 and 66.