214 bars of 4/4 at 150 BPM, about 5:31 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 91, 93 and 121, and 1 more place -- 2.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 77 times: bars 34, 35, 46, 47, 49, 50 and 71 more.
7 more fills are written out on the fills page.
214 bars across 20 sections: 61 keep time, 77 are fills, 10 are stops and 51 are silent. The longest unbroken stretch of time is bars 143-153.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
214 bars, about 5:31 at the written tempo. The course breaks it into 54 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 77 times: bars 34, 35, 46, 47, 49, 50 and 71 more.