85 bars of 4/4 at a walking 84 BPM, 4:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-4, 17-20 and 33-35, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 12, 28, 36, 40, 48, 52 and 7 more.
2 more fills are written out on the fills page.
85 bars across 12 sections: 57 keep time, 13 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 6-11.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
85 bars, about 4:03 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 12, 28, 36, 40, 48, 52 and 7 more.