37 bars of 4/4 at a walking 108 BPM, 1:22 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-16, 19-20 and 23-24, and 1 more place -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 4, 18, 22 and 30.
37 bars across 5 sections: 25 keep time, 4 are fills and 3 are silent. The longest unbroken stretch of time is bars 5-12.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
37 bars, about 1:22 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 4, 18, 22 and 30.