103 bars of 4/4 at 144 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-26, 29-34 and 37-43, and 5 more places -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 24, 28, 35, 36, 60, 68 and 11 more.
6 more fills are written out on the fills page.
103 bars across 9 sections: 45 keep time, 17 are fills, 33 are stops and 2 are silent. The longest unbroken stretch of time is bars 4-10.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
103 bars, about 2:52 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 24, 28, 35, 36, 60, 68 and 11 more.