190 bars at 170 BPM -- fast, and 4:28 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 47-52, 55-60 and 87-92, and 6 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 50 times: bars 3, 4, 5, 6, 8, 9 and 44 more.
12 more fills are written out on the fills page.
190 bars across 19 sections: 70 keep time, 50 are fills, 49 are stops and 5 are silent. The longest unbroken stretch of time is bars 132-141.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
190 bars, about 4:28 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 50 times: bars 3, 4, 5, 6, 8, 9 and 44 more.