106 bars of 4/4 at a walking 80 BPM, 5:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-36, 38-39 and 52-54, and 9 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 2, 3, 25, 37, 41, 55 and 10 more.
5 more fills are written out on the fills page.
106 bars across 11 sections: 72 keep time, 16 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 74-84.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
106 bars, about 5:17 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 2, 3, 25, 37, 41, 55 and 10 more.