211 bars of 4/4 at 115 BPM, about 7:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 42-43, 45-46 and 48-49, and 8 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 128 times: bars 1, 2, 3, 5, 8, 16 and 122 more.
8 more fills are written out on the fills page.
211 bars across 15 sections: 55 keep time, 128 are fills and 18 are silent. The longest unbroken stretch of time is bars 192-208.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 80 out of 100; the rest of the number is everything around it.
211 bars, about 7:18 at the written tempo. The course breaks it into 50 exercises over 23 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 128 times: bars 1, 2, 3, 5, 8, 16 and 122 more.