180 bars of 4/4 at 133 BPM, about 5:25 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 11-12 and 67-68, and 11 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 71 times: bars 1, 2, 7, 8, 9, 10 and 65 more.
3 more fills are written out on the fills page.
180 bars across 7 sections: 99 keep time, 71 are fills and 1 is a stop. The longest unbroken stretch of time is bars 142-180.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
180 bars, about 5:25 at the written tempo. The course breaks it into 26 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 71 times: bars 1, 2, 7, 8, 9, 10 and 65 more.