155 bars of 5/4 -- not four -- at 192 BPM, 3:45 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-22, 24 and 26, and 3 more places -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 32 times: bars 10, 14, 16, 17, 18, 19 and 26 more.
17 more fills are written out on the fills page.
155 bars across 17 sections: 61 keep time, 32 are fills, 16 are stops and 30 are silent. The longest unbroken stretch of time is bars 96-102.
192 BPM, in 5/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
155 bars, about 3:45 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 32 times: bars 10, 14, 16, 17, 18, 19 and 26 more.