148 bars of 4/4 at 154 BPM, about 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-48, 68-75 and 128-130, and 3 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 8, 12, 16, 18, 19, 20 and 28 more.
13 more fills are written out on the fills page.
148 bars across 13 sections: 91 keep time, 34 are fills, 5 are stops and 6 are silent. The longest unbroken stretch of time is bars 85-98.
154 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 67 out of 100; the rest of the number is everything around it.
148 bars, about 3:50 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 8, 12, 16, 18, 19, 20 and 28 more.