171 bars of 4/4 at 150 BPM, about 4:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-27, 37-43 and 71-77, and 1 more place -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 16 times: bars 3, 44, 51, 60, 86, 93 and 10 more.
7 more fills are written out on the fills page.
171 bars across 23 sections: 120 keep time, 17 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 72-85.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
171 bars, about 4:34 at the written tempo. The course breaks it into 66 exercises over 19 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 3, 44, 51, 60, 86, 93 and 10 more.