52 bars of 4/4 at a walking 90 BPM, 2:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 26-28 and 32, and 1 more place -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 14 times: bars 24, 25, 29, 39, 40, 41 and 8 more.
2 more fills are written out on the fills page.
52 bars across 4 sections: 34 keep time, 14 are fills and 1 is silent. The longest unbroken stretch of time is bars 2-23.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
52 bars, about 2:19 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 24, 25, 29, 39, 40, 41 and 8 more.