107 bars of 4/4 at 118 BPM, about 3:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 36-37, and 7 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 8, 26, 30, 34, 50, 52 and 1 more.
3 more fills are written out on the fills page.
107 bars across 11 sections: 75 keep time, 7 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 83-95.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
107 bars, about 3:38 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 8, 26, 30, 34, 50, 52 and 1 more.