186 bars, 11:38, at 64 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 45-47, 49-50 and 62-63, and 20 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 61 times: bars 2, 4, 8, 10, 16, 17 and 55 more.
23 more fills are written out on the fills page.
186 bars across 12 sections: 108 keep time, 62 are fills and 3 are stops. The longest unbroken stretch of time is bars 118-131.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 37 out of 100; the rest of the number is everything around it.
186 bars, about 11:38 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 61 times: bars 2, 4, 8, 10, 16, 17 and 55 more.