132 bars of 4/4 at 151 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39 and 43-45, and 12 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 17, 29, 32, 33, 41, 57 and 11 more.
5 more fills are written out on the fills page.
132 bars across 14 sections: 95 keep time, 17 are fills and 1 is silent. The longest unbroken stretch of time is bars 88-99.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
132 bars, about 3:30 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 17, 29, 32, 33, 41, 57 and 11 more.