80 bars of 4/4 at a walking 100 BPM, 3:08 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-37, 55-61 and 72-80 -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 45, 46 and 62.
80 bars across 13 sections: 65 keep time, 3 are fills and 8 are silent. The longest unbroken stretch of time is bars 14-28.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
80 bars, about 3:08 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 45, 46 and 62.